Thursday, 6 September 2012

Conversations with Contemporary Clayers: Rachel Azulie

Today's Profile: Rachel Azulie
 


Why are you an artist and what drew you to clay?
I'm compulsed to create and always have done, ever since I can remember. I've sometimes struggled with the label 'artist', though less so in recent years since art has become my main income. I was drawn back to clay after my son was born 8 years ago and got hooked right in with the discovery of metal clay, something I've dreamed of for many years!


How long have you been an artist?

All my remembered life, though professionally, on and off since my early 20's.
 
What is your favourite clay?

Such a difficult question to answer! I love working with both the air dry clays (Makins and Epoxy) as well as the metal clays (silver and bronze).. but if I HAD to choose, then fine silver metal clay, for its permanence, beauty and the feeling that I'm an alchemist when I fire it! 


 
 


What other materials do you like to incorporate in your work and why?

Textiles, beads, ribbon, lace, feathers... mixed media is my kick. I love to sew, I collect and love working with antique textiles, and I've been a beadaholic since I was 7 years old.
 
 

What are you currently working on?

I've been working on some new masks and mixed media pieces, with a fantastical theme to them. I've also been collaborating with UK artist, Steven Fellowes, which has taken me in all sorts of unexpected directions.
 



What inspires your work?

The female form, flora, textiles, and sometimes, the macabre.

Is there a purpose to your artwork?

To externalise the visions that fly around in my head, to lose myself and sense of time, to develop new classes.. there are many purposes but all come from a need to create.
 
 

Which of your artwork pieces is your favourite?
 
My favourite piece is a metal clay face sculpture that went missing in transit, on its way to new owner in the UK. It's strange to think of it 'out there' somewhere but nonetheless it gave me great pleasure to create. I used a combination of wood clay to create the form and PMC paste to 'veneer' it. I intend to make another along the same lines soon and will be teaching a class focusing on PMC paste at the upcoming Contemporary Craft Retreat in Canberra.
 
 
For more information on Rachel:
AzulieSparks



 

 

 

 

 
 


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